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KANK-2
Leetah:
Биайна: Soniya пишет: я не могу перестать о нем думать а в каком плане думать? просто вспоминать? или припоминать особые какие-то моменты? или анализировать? в общем, ненужное зачеркнуть
Soniya: Биайна пишет: ненужное зачеркнуть скорее всего анализировать... пытаться найти какое-то логическое объяснение событиям, поступкам героев, коих дано не было в фильме... может это и есть великая сила искусства?? то, что пишут обо мне на других форумах, якобы у меня нет сердца - неправда... у меня просто есть мозги.
Биайна: Soniya пишет: пытаться найти какое-то логическое объяснение событиям, поступкам героев, коих дано не было в фильме кстати, так бывает. у меня например бывает фильм не зацепил, или просто никак, а потом ловлю себя на том же самом, пытаюсь переигрывать некоторые сцены, вникать в суть поступков героев - в итоге я не могу сказать, что фильм понравился, но ОДНОЗНАЧНО, если фильм заставил ДУМАТЬ, а значит чем-то ЗАЦЕПИЛ (сорри за капсы, но тут они просились). Soniya пишет: якобы у меня нет сердца - неправда... у меня просто есть мозги нууу, одно другому не мешает
4837464: Soniya пишет: совершенно поразительная вещь... придецца еще три-четыре раза посмотреть :)
Soniya: Karan Johar’s latest Kabhi Alvida Naa Kehna was shot mainly in and around New York City. And America, especially Indians in America appear to have been extremely receptive of the film in its opening weekend in the US. KANK collected nearly $1.4 million in that period, a new record for any Bollywood film ever released in North America. It also averaged over $21,000 per screen. That makes it a bona fide blockbuster when it comes to Hindi films in America. The previous record, according to Gitesh Pandya, editor of Boxofficeguru.com was also held by a Karan Johar movie – Kabhi Khushi Kabhi Ghum, which had opened at $1 million in 2001. KANK was at number 17 on the US box office charts, while the Will Ferrell comedy Talladega Nights: The Ballad of Ricky Bobby stayed at number one and Oliver Stone’s World Trade Center debuted at number 3. by Anirudh Bhattacharyya, South Asia World. отсюда и мою фоту прикрутили... гады
VESNA: как твою фоту? ото в розовой кафтынке то ты? мелко дюже неразобрать.
Soniya: VESNA пишет: как твою фоту? ото в розовой кафтынке то ты? мелко дюже неразобрать я имею ввиду фото мной сделано а в розовой кафтынке - то Рани. вот она:
VESNA: так пущай компенсацию тебе заплотють
Soniya: VESNA пишет: так пущай компенсацию тебе заплотють пущай, я против что-ли? тока не предлагает нихто
Wolf:
Lo: мне кажется, что на этой фотографии Рани на Каджол похожа
Lo: каджол с ценником
wichy: Lo пишет: на этой фотографии Рани на Каджол похожа Ну да, на себя Ранька здесь непохожа совершенно. А у Шаха такая рожица, как будто он ее на плохое какое дело подбивает
Lo:
Wolf:
knopa: Kabhi Alvida Naa Kehna - Week 1 Mumbai - 5,72,30,515 Ahmedabad - 1,64,34,935 Rajkot - 19,46,558 (Record) Jamnagar - 7,56,275 (Record) Bhavnagar - 9,85,631 (45 sh.) Pune - 98,82,376 (Record) Sholapur - 3,80,415 (Record) Nasik - 9,05,286 (63 sh.) Goa - 19,00,250 (Record) Margao - 5,49,768 (Record) Delhi - 2,49,85,853 Noida - 49,98,806 (182 sh.) Kaushambi - 33,01,844 Gurgaon - 51,69,035 Ghaziabad - 6,35,245 Kanpur - 16,08,534 (6 dy.) Lucknow - 40,32,358 Dehradun - 5,81,000 Kolkata - 1,08,91,334 Raipur - 4,10,282 Indore - 9,24,910 (72 sh.) Bhopal - 5,40,000 Ujjain - 1,65,000 Sehore - 1,80,445 Hyderabad - 12,95,123 (49 sh.) Aurangabad - 5,91,199 Bangalore - 16,91,968
knopa: 'K.A.N.K.' - The Verdict When was the last time a film [repeat, any film] enjoyed unanimously and universally positive reports? SHOLAY? It was scorned. HUM AAPKE HAIN KOUN? It was ridiculed. VEER-ZAARA? It was written off. NO ENTRY? It was scoffed at. FANAA? It was sneered at. PHIR HERA PHERI? It was derided. KRRISH? It was mocked at. Now KABHI ALVIDA NAA KEHNA faces the flak. So what's new? Nothing. It's the same old story. The moment a big film hits the screens, a section of the film industry [also include some pseudo journos with zero knowledge of film-making and business] has a constipated look on their faces. Text messages degrading the film fly left, right and centre. 'It wouldn't sustain beyond Friday', 'Bakwas hain', 'The director has lost it', 'Paisa kamaya, par reputation khatam'… Haven't we heard all this and more [the nastiest of talk] before? Let's not forget, a tree which bears fruits is always stoned. Jo hain naamwala, wohi to badnaam hain. But the paying public knows what's best for them… The 'reports' are one thing, the box-office outcome is another. It doesn't really matter what a section of the industry or audience feels about a film. We ought to respect everyone's opinion, whether good or bad, but let's not turn a blind eye to the business of a film. Looking at the high stakes today, when films are sold for millions of rupees, when survival is of paramount importance, who needs awards, five star ratings from reviewers who only have an eye for dark films/art house cinema and fake appreciation? We need box-office rewards! The historic first week billing of KABHI ALVIDA NAA KEHNA is a slap on the faces of all 'soothsayers' who predicted doomsday for the film at the box-office. In fact, the record-breaking initial weekend and the holidays on weekdays has infused life all over again in the veins of the distribution and exhibition sectors. KABHI ALVIDA NAA KEHNA is a sign of progressive cinema. After my review on the film appeared on IndiaFM two days before the release, a few 'well wishers' of Karan Johar sounded so low over the phone as though they had just returned from a funeral. In fact, a prominent producer had the gall to tell me, “Aisi progressive filmein Hindustan mein kabhi nahin chal sakti. Its rejection is certain.” Imagine, no one from the industry had even watched the film, but were abusing it nonetheless. Why are we so skeptical when it comes to embracing bold themes? Why should Hindi cinema be confined to those three/four stories that are as old as the hills? Why shouldn't we welcome changes? And when a film dares to defy the stereotype and works at the ticket window, shouldn't we feel euphoric? Back to KABHI ALVIDA NAA KEHNA business. The film is doing exceedingly well, with business at an all-time high at multiplexes. It's extra-ordinary at big centres, while its business is slightly lower at smaller towns. But the overall first week billing is superb. Relax Karan, it's the time to disco! источник
Suhana:
Suhana:
Suhana:
Suhana:
Suhana:
Suhana:
Suhana:
Suhana:
Wolf:
Soniya: я фигею, дорогая редакция Not all extra-marital affairs end the way it does in Kabhi Alvida Na Kehna (KANK). Take the case of a Thane resident who stabbed and shot his wife because she did not allow him to marry another girl he loved. The irony is that the incident took place after the couple had just watched KANK . The victim Reshma (27) is fighting for her life in Sion Hospital. Her husband Shadaf Anwar Khan (32), a rickshaw driver, is absconding. THE COUPLE Shadaf got married to Reshma nine years ago. They have two kids Salma (9) and Salim (2). The family lives in Rabodi area. For the past year, Shadaf had reportedly been seeing a girl working as a waitress in a local bar and wanted to marry her. But Reshma refused to give her consent. Recently, she moved out of Shadaf’s house with the children and was living in Gajanan Chawl on Bunderpada Road in Kalyan. WHAT HAPPENED In her statement to the police, Reshma said, “On Saturday evening, Shadaf came to my place along with his friends Raju and Sanjay. He convinced me that he had dropped the idea of getting married to that bar girl. He had brought movie tickets for the late night show of KANK at Cinemax mall in Thane. He asked me to leave the children at home.” Thrilled at the change in her husband, Reshma happily agreed. “After the movie, Shadaf and his friends were driving me back to Kalyan in a rickshaw. Near Diva village, Shadaf suddenly stopped his auto and pulled me out. Before I could understand what was happening, he attacked me with some sharp weapon,” said Reshma. She sustained injuries on her face and chest, and also took a bullet in her stomach. LEFT FOR DEAD Presuming her to be dead, Shadaf and his friends allegedly dumped Reshma on the Mumbai-Agra highway. But after some time, perhaps due to the rain, Reshma regained consciousness. Despite her injuries, she managed to shout for help and draw the attention of passers-by, who then informed the nearby Narpoli police station. Reshma was rushed to Thane Civil Hospital, but later shifted to Sion Hospital as her condition was critical. THE KANK CONNECTION Sub-inspector D S Kengaje said, “Shadaf and his friends are absconding. We have registered a case of attempt to murder against them.” Police suspect Sadaf wanted Reshma to watch KANK so she would allow him to marry his girlfriend. “We will be able to verify this only after arresting him,” Kengaje said.
wichy: Я валяюсь... И после этого говорят, что мы верим в сказку индийского кино. Если кто и верит - то сами индийцы - один после Krissh летать учился, орленок блин... второй после КАНК начал жену рэзать... Их в поликлинику нужно сдать... для опытов. (с)
Lo: Soniya пишет: a rickshaw driver дурдом на выезде
Soniya: wichy да, я тоже сразу про Криша вспомнила им надо какой-то disclaimer в начале фильма вешать - не принимайте всерьез, это кино, выдуманная история дурдом какой-то...
nelke: Soniya пишет: им надо какой-то disclaimer в начале фильма вешать - не принимайте всерьез, это кино, выдуманная история дак вроде ж в начале есть у них мол любое совпадение с реальными персонажами есть простое совпадение...
queen79: Soniya пишет: им надо какой-то disclaimer в начале фильма вешать АднАзначнА ! типа как у нас в рекламе сейчас( тоже ,видать,недалеко ушли) -"Не пытайтесь повторить самостоятельно.Все трюки исполнены профессионалами"
Soniya: nelke пишет: дак вроде ж в начале есть у них мол любое совпадение с реальными персонажами есть простое совпадение... то у всех есть... им надо особое напоминание похоже don't try this at home
nelke: Soniya пишет: don't try this at home Причем сделать это 11м кадром или какой там скрытый...22
Soniya: nelke пишет: или какой там скрытый...22 кажется 25-й
Leetah:
Leetah:
Leetah:
Soniya: Shahrukh on KANK Tuesday, August 22, 2006 09:32:15 pm In a candid interview with Naomi Datta of TIMES NOW, Shahrukh Khan says he knew KANK would cause a lot of debate. Here are the interview excerpts. ND: Coming to KANK - the kind of debate, discussion and reactions the film has got, did you expect it when you signed the movie? SRK: Yes. ND: You did? SRK: Yes, I knew exactly where it was going. It was a subject that normally is not even discussed within the confines of the four walls of our houses. But just because we don’t speak about it, doesn't mean we shouldn’t make a film about it. And I had told Karan right in the beginning, that it would be a much discussed film. ND: But isn’t it tough for someone like you - everything you touch is a success - to play somebody who's a failure? How tough is it to get into the head of a person who's like that? SRK: I find it strange that there are a lot of actors who refuse roles saying they don’t want to play a loser. But the loser is a classical hero figure in literature and in films. Devdas supposedly is a loser, Kabhi haan Kabhi Naa- Sunil was a loser, so there are a lot of films. Even Darr if you go to the extent and see it, I play the guy who finally is running after somebody’s ladylove and is being a stalker. We normally in our everyday language say 'what a loser', get yourself a life. And I think you can make films about people who don’t have a life and try and make them look not desirable or heroic, but instead it’s a story that you tell from the point of view of a person who is different from the one we are used to seeing. ND: But the opening figures at the box-office have been very encouraging. How much is that an endorsement of the acceptance of the film, or how much is that an endorsement of the fact that a Karan Johar film will get lots of people to watch it in the 1st week anyway? SRK: Yes, it’s a simple logic. You have a film with reliable names attached to it in terms of technicians, in terms of the director, in terms of actors and it is going to get a big opening. That is not the endorsement of the fact that the film's story has been accepted. Then you get reactions of people - some will be negative, you can’t please all the people all the time. And then there will be some wonderfully positive reactions, but that also doesn’t endorse the fact that the film has been accepted. If you are going to ask me about the box office collections, personally no amount of box office collections makes me endorse the fact that the film has been accepted or not accepted. ND: And at this stage, would you pick up the phone call a film-maker and say I want to work with you? SRK: At no stage have I done that. If anyone likes my work, I'm humble enough for anyone to walk up and say, "Shahrukh, I want to work with you" and I’ll say "I’ve got the dates." At no stage have I had issues about how I acquire or how people acquire me for work. I’m a very easy-going actor. I have always been very clear cut - "This is the date dude, is it ok for you? If I like the story we'll do it, otherwise don’t take it personally." I’ve always worked liked that. ND: And the fact that you're not working RGV, is that a loss? SRK: As I have said before, the films I do are important and the ones I don’t are not. ND: In the interview you've given to Filmfare where you've talked about your co-stars, you've mentioned Juhi Chawla saying that she calls you the biggest fluke in the history of Indian cinema. How do you react to that? SRK: If she thinks I’m the biggest fluke, I keep telling her wait for me to get it right, then you see. So if being a fluke has me 15 yrs in a good state of affairs, just imagine when I get it right. But I think she says it with a lot of warmth and fun. I don’t think she really means it. отсюда
Lauri: Soniya Спасибо огромное! Ну, я как всегда... за словарями...
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