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Пракаш Радж / Prakash Raj 2
4837464: Тема в картинках переполнилась разговорами :) пора щелкать ножницами
wichy: Soniya : проснулась в 2 опять, и уже глазами моргаю часто-часто Ну, если что - можно и на хадиппе отоспаться. На клипах громкая музыка будет тебя пробуждать
Soniya: а сигарету я все-таки выкурила... felt good... just like being in the arms of long forgotten lover
otero: Soniya : а сигарету я все-таки выкурила... И?
Soniya: otero : И? что "и"? блин... выкурила ДО надо было выкурить и после кратко скажу - мурзик дал мне все по полной... вышла с такой довольной мордой что впору было есть лимоны... подробности письмом
otero: Soniya : мурзик дал мне все по полной... От это многообещающая фраза Ждём писем тогда, хорошо
wichy: Soniya : сигарету я все-таки выкурила... felt good... just like being in the arms of long forgotten lover Ну вот, панимаишь... Гляди там, со своими любовями не начни опять курыть Пошла читать письмо!
Soniya: PRAKASH RAJ won the Best Supporting Actor award for his role in the Tamil movie Iruvar in 1998. But this time it is double delight: the National Film Award for the Best Actor for his performance in Kanchivaram, which depicts the life and struggle of weavers of the silk capital of India, and the Best Feature Film Award for the movie. Prakash Raj, known for his frank views, speaks on a wide range of issues in this interview to Frontline. Excerpts: What does this national award mean to you? Please tell us about the Kanchivaram experience, and your journey through Tamil cinema and Indian cinema? In the context of our country, the national award for any actor or film-maker is a very important recognition in his life’s journey, [and one] which will probably be a milestone. For some it may be the goal, but for me it is a moment in the journey where you are recognised for your work. It turns into a milestone and you continue the journey. Coming to my journey in Tamil cinema and Indian cinema, as an actor or now as a producer, for me it so happens that I am in cinema because it is basically the journey of my life. As you understand, we do not come from a culture where we are brought up with cinema as a profession in mind. Probably this may happen in the next generation; or a few of the present generation whose parents are in cinema are being nurtured from a young age. But in most cases it is a search for an identity to express yourself. There is no known history of anybody having been in the field of arts in my family. For me it is more like having stumbled into the profession. Now probably you share yourself and as you gather momentum, you turn into whatever you are. And in a matter of 15 to 17 years you look like a veteran in cinema. You have described Vengadam’s role in Kanchivaram as the most intense and powerful character you have done. What makes you feel so? I am not one of those actors who do a lot of homework. When you see the film, you can see there is a dilemma between ideology and life. It is a turmoil, between the love for his daughter, his dream, and his ideology. See, when you start thinking about all these things and looking from all these dimensions, it is a different world where probably I am more informed as an actor. Though it was a piece of information before I entered the role, I forget it later because, for me, when I approach Vengadam, it is a human story. So I tell the director, Priyadarshan: “Priyan, you continue to direct. Put it in order because for me the challenge is to start the film on the first day and finish it on the 30th day.” But through this 30-day journey, you intend to portray a life that spans 20 years. So, for me, I start proceeding and understanding as he shoots in the chronological order. When I enter this role, I am empty as in a Zen master’s story because that is where the director can fill in me whatever he needs and it is all total surrender. Do what he wants, and just add to it your experience as an artist. You have done very serious roles, as in Iruvar and Kanchivaram. At the same time you seem to fit into chirpy roles too, as in Mozhi and Gilli… It is as simple as that: I am an actor and I am expected to be an actor. I am requested to be an actor and I am paid to be an actor. I am committed to being an actor. So I just do the same – in intensity or perception or the time spent. The time I spent on Kanchivaram is as much as the time I spent on Iruvar or on Mozhi or on Abiyum Nanum or on Gilli. It just so happens in the context of India that we need to balance between the commercial and artistic needs. Around 99 per cent of the time we only entertain, to make a living out of it. There I take upon myself a social responsibility, within me. My conscience says, “Don’t do films that are crass or that cross the border into obscenity in my perception, so that I do not earn out of it.” But if it is harmless entertainment, it is fine. At the same time, an actor is not a chooser but a beggar, because he is not cinema. An actor can never be cinema. An actor may be one of the major colours of a painting. You have placed on record that your bread and butter is commercial cinema. Still you strive to make different movies. Both of them are bread and butter for me. But one part of the bread and butter is for the stomach and the other is for the brain. Two different types of hunger I have in life. You can’t expect me to do ten Kanchivarams in a year. I will go bankrupt. You are considered a great producer to work with. You have been paying tributes to your directors for shaping you as a good actor. When are you going to don the director’s role? I never knew that I would be an actor. Now I am one. I never knew that I was going to be a producer. Now I am one. It is kicking within. Soon I will be a director. Kanchivaram revolves around the communist ideology and how it impacts the lives of weavers… Communist ideology is one part of the story. But for that matter no ideology in the country or the world has been followed to its complete sense because there has always been a dilemma between human dream and ideology. And that is what happens here too. Is cinema a mere mass entertainer or an instrument of social change? Is it not difficult to strike a balance between the two? How do you see painting? How do you see writing? How do you see sculpture? Everything is an art form. Over the years, you document the person behind the works when you talk about great writers, sculptors or film-makers. Cinema as a medium has come from outside. We have taken it as it is a very powerful tool. But here again, 90 per cent of the time we are trying to use this medium for doing the same larger-than-life characters. It has to transcend the present stage of catering to the taste of the audience and grow to its full form and become a medium of expression. It is a long process. Till then you will have to continue to balance and work. You have drawn a parallel between the creative writers Lankesh and Jayakanthan. Do you have any proposal to make films based on their works? Drawing a parallel between creative writers Lankesh, Adiga or Jayakanthan, or Chalam, speaks of my perception of literature. It need not be necessary that their works should be turned into films. But my perceptions can be turned into films because they are in a different form altogether. You are an actor who is quite frank about his views. Has this got you into trouble in this sensitive industry? Do you think an actor needs to be diplomatic? It depends on his strength, on his own integrity. It depends on the person’s comfort level. But I would say, “Don’t be too diplomatic as one day a spade will have to be called a spade.” You are regarded highly for your ability to do different roles. How do you think your theatre background has helped? Would you still like to act in a stage play? Yes. Theatre has helped me. My reading of literature has helped me. Theatre and reading of literature always help you in understanding or sensitising your perception. These are very important things for any actor. But there are certain actors who are gifted. These born actors do not need such things. Well, going back to theatre, in my journey I have come from stage to cinema and I am still in awe of this magic. I don’t want to go back for the sake of going back. I won’t say going back is wrong. But for me I am still in awe of this journey. When I feel like, I will go, or I may never go if I don’t have the time in my life. History has shown that cinema, which is a mass-based performing art, cannot remain unaffected by the socio-political atmosphere prevailing in the world. Would you like to comment? It has to reflect, it has to document, it has to dissect, it has to evaluate, it has to discuss and it has to express. But there again it will find its purest, strongest expression only when this medium gets into the hands of responsible, sensitive and aggressive individuals who are guided by conscience. So, it depends on how many of us – individuals of our country – become morally responsible and would like to master this tool and use it this way. Actors Rajnikant and Kamal Haasan have time and again appealed to political leaders not to bring politics into cinema. Politics is different from cinema. But if an actor is totally committed to politics, he can use it to express his ideology. But don’t misuse the love and affection the people have for an art. Don’t distort it into a political vote. By doing so, you are not making a voter more conscious about his right and more sensitive to his right. But rather, you are using his weakness. It is like somebody giving you a hundred rupee note to buy something and you purchase something else and tell the person that this is what you should have. As an alternative to mainstream commercial cinema, can leading film stars help parallel cinema? That is the only way in this country because it is the responsibility of the already popular film stars. Otherwise, it will take a long time for parallel cinema to find its feet. It is the responsibility of all sensible and popular actors and technicians to make a conscious decision to devote some time to parallel cinema. Recently you stated that you are an agnostic. How do you see attempts to divide people and let loose violence in the name of religion? For me religion is a personal thing, like sex. It is an individual’s belief. So, being a believer or non-believer does not matter as long as you are not going to force your views on others. Cultures have come in to help people live as a community and not to divide them. Religion should make you human. If it forces you into making moral judgments, it is wrong. It is the animal in us that is using the name of religion, caste, wealth and power. All these things should make the human in you more beautiful and more colourful. They should not make you say that you are better than others. отсюда не перевожу, так как думается мне все кому интересен Пракаш на этом форуме в переводе не нуждаются...
Taani: Soniya : не перевожу, так как думается мне все кому интересен Пракаш на этом форуме в переводе не нуждаются... А еще есть переводчик!
Soniya: “It’s nice to be a wonderful guy,” he laughs out aloud. “I am nice to women and they call me a womaniser.” Пракаш хорошо относится к женщинам, а они считают его бабником отсюда
Ломоносов: Soniya : а они считают его бабником И я так тоже считаю
Soniya: Ломоносов : И я так тоже считаю и я тоже так надеюсь
Soniya: Пишут что Пракаш опять будет сниматься в каком-то полупаралельном фильме, на этот раз в паре с Бумикой. (рехнулись, что ли? ) и что после Wanted чуть не весь Болливуд побежал к нему с предложениями, но у него и так руки полны сейчас южных проектов. отсюда
wichy: Soniya : весь Болливуд побежал к нему с предложениями Да ищщо бы, такой колоритный мэн. Энергетика у Пракаша - это что-то... А здесь уже писали, что он сам собрался режиссировать фильму на Каннада? Где-то читала вчера краем глаза, а вот обсуждали мы это здесь или нет - забыль...
Soniya: wichy : А здесь уже писали, что он сам собрался режиссировать фильму на Каннада? ну ага, обсуждали... давно уже говорят об этом. римейк вроде бы его фильма где он Тришкин папа... и дочку будет играть та актриса, которая оженила на себе Сурика в слонах. не помню сейчас ея имя-отчества...
otero: Soniya : и дочку будет играть та актриса, которая оженила на себе Сурика в слонах ну.. фу... Холодные и злые глаза у этой деушки, не хотелось бы её больше видеть, а придется.
Sada: А такую фильму смотрели? Я скоро собираюсь. M Kumaran Son Of Mahalakshmi
Soniya: Sada : M Kumaran Son Of Mahalakshmi та блиин... уже 2 месяца она у меня на первом месте торчит в очереди в прокате... но нет в наличие... мож забить и скачать? дают?
Sada: я на tamilmovietracker.com качала авишку. там еще сиды есть. есть шанс вообще, хвалят фильму. там правда Асин с Джеямом в паре, но любовная линия не главная.
Soniya: Sada : там правда Асин с Джеямом в паре ну ты понимаешь, что не ради них я кино собралась смотреть, да? пусть паряцца... главное чтобы главного героя мне не затеняли
wichy: Поставила на закачку на tamilmovietracker, ща глянем, как там с сидами. А я только сегодня думала, может, еще что с Джеямом Рави этим посмотреть Да и Асиной меня после Шрии не напугать
Sada: на 4й минуте Пракаш награду получает. видали наверное?
Soniya: Sada : видали наверное? нет, этого не видела - пасиб
Soniya: Chennai, 06 October (Asiantribune.com): Film Actor Prakash RajThree-time National award winner multi-lingual actor Prakash Raj is on bouquet gathering spree in Tamil Nadu, Karnataka and Andhra Pradesh. For bagging National “best actor” award. Although Prakash Raj won the “best actor award” of the National Film Awards for 2007 for his performance in the Tamil film “Kanchivaram”, announced last month, he is popular in Karnataka and Andhra Pradesh too. Prakash Raj had earlier won the “best supporting actor” award for his film “Iruvar” (Directed by Mani Ratnam) in 1998 and a “special jury award” (instituted for the first time, it is said) in 2003, for his doing a commendable job in 12 films in Tamil, Telugu and Kannada in one year. “Kanchivaram” was also chosen as the “best film” for 2007 from among about 102 films and 106 non-feature films considered. Directed by Priyadarshan, the film depicts the lives and times of silk-weavers of Kancheepuram in pre-Independent India. The actor said when he heard about the story, the role he was asked to play left him shaken, and stirred him up, too. "When Priyadrashan narrated the story, I simply walked out. My hands were trembling, I was in tears. I needed a cup of coffee to return to my composure.” Then he called him and blasted him for keeping the story to himself for 12 long years, said Prakash. The actor immediately grabbed the role for he loved to play the role so much that he refused to accept any money for the film. He recalled that it was a painful role. It has paid a rich dividend in the form of highest honour. "Personally, I drifted into nostalgia, thinking of my marriage (it was on the rock, trouble starting at that point of time), and my daughter's birth," he said, adding, "It was mind blowing professionally as well, since I had to unlearn all that I had to learnt as an actor." He came out with the performance in between hot and cold. The Best Actor Award, according to him, is the faith in "good cinema" that “Kanchivaram” has infused in "all of us, both film-makers and fans." Actor Prakash Raj has acted in Kannada, Tamil, Malayalam, Telugu, and Hindi films. He is currently the darling of Tamil cinema. His leery ‘Chellam' ( an endearment) tone in the Tamil film “Ghilli” is enough to set off hysteria among his fans even today, even five years after the film's release. You find people addressing ‘chellam’ the near and dear ones. Villain, character actor, and now a tragic-hero in “Kanchivaram,” Prakash Raj never misses a chance to pay his reverence to his mentor director K Balachander, who introduced him to Tamil cinema, in “Duet.” Re-christened by Balachander Born Prakash Rai, and also known in Kannada screen as such, he was rechristened as Prakash Raj by K. Balachander, for his Tamil movie “Duet.” It really clicked well. Prakash Raj’s mother tongue is Kannada. His acting career began with Kannada serials, like “Bisilu Kudure” and “Guddada Bhootha.” He later took up small supporting roles in Kannada films, like “Raamachari,” etc. Prakash Raj’s breakthrough role came in form of “Harakeya Kuri” starring Vishnuvardhan and Geetha. His performance in the movie was noticed by Geetha and she in turn introduced Prakash Raj to the Tamil films. His transformation as a character actor in recent years, in films like “Santhosh Subramaniam” and “Abhiyum Naanum” raised his talent bar. Prakash's talent factor skyrocketed with his comic capers in “Mozhi,” a film which he also produced. His role as “Vengadam” like the mountain it peaked his popularity. Prakash Raj made his debut with ‘Duet’ and continued performing negative roles in more films. Later, he got through a big break of performing prominent roles and gradually as a hero. His first production was ‘Naam’ that didn’t witness good business and later he succeeded with ‘Azhagiya Theeye’ and ‘Kanda Naal Mudhal’He produced the movie “Dhaya” in which he acted as the hero with actress Meena which was a hit and earned him a special jury award (a prestigious national award) for his performance. Also as a producer his selection of movies typically have natural storylines. His movie “Poi” (lie in English) which is directed by his mentor, veteran director K. Balachander, was a non grosser. Both the director (K. Balachander) and producer (Prakash Raj) acted in this movie as Good and Bad. Now he is also very busy as a producer for his 3 forthcoming films. Prakash Raj had danced in a whole song for his film “Vellithirai,” a folk song named "Kanchi Paanaiyin Maela." Considered to be one of the most natural actors in the film industry, he has a good reputation for his acting skills. He is also the highest paid villain in Indian cinema. He was also a part of Mani Ratnam’s stage show, “Netru, Indru, Naalai.” In 1997, he acted in Mani Ratnam's “Iruvar,” alongside Malayalam Superstar Mohanlal. The movie was about the relationship between politicians M.G. Ramachandran and M. Karunanidhi, which he won the ‘best supporting actor “award alongside Mohanlal, who won the “best actor award.” “Okkadu” makes a turning point One of Prakash Raj's greatest hits was his role of Villain in Telugu film “Okkadu”, where he plays the role of factionist, a gangster who is in love with Bhoomika Chawla. After “Okkadu,” Prakash Raj was flooded with offers. The film was remade in Tamil as “Ghilli” in Tamil.. The same movie got remade in Kannada as “Ajay”. The versatile actor then co-starred with major stars and also acted in movies with newcomers. His 2007 production “Mozhi”where he played an important role, was a box office hit and praised by critics proving that he can play a comedy role just as good as playing a negative character. Prakash Raj has already had four releases this year, all in which he plays a prominent role. He is acting in more than half a dozen films at the moment including his own production, “Abhiyum Nanum” in Kannada. Prakash Raj is directing the Kannada version of “Abhiyum Naanum.” Radha Mohan directed the Tamil “Abhiyum Naanum” which had Prakash Raj and Trisha in the cast. The mantle of producer and director also fell on him. Prakash Raj is producing, directing and acting in this film. This is the first film he is directing. Divya is acting in the role which Trisha did in Tamil. The shooting of the film will commence during the month of November. The title and other details have not been finalized. He re-entered Kannada films with a bang through “Nagamandala” in 1997, directed by the award winning director T.S Nagabharana and continues to act in a number of Kannada movies every year. Prakash Raj was born in 1965 in Mangalore, Karnataka. He is well versed in Kannada, Tamil, Malayalam, English and Telugu. He got married to Lalithakumari, an actress (Sister of Disco Shanthi) and gave birth to 3 children (one male child dead). After his marriage with her, dame luck smiled on him; films started streaming towards him. (But they are parting ways, unfortunately. The divorce case in the Family court in Chennai). Recalling his beginning, he said: “I was never interested in studying; whenever I was told off at school, I would come to Ravindra Kalakshetra and sit here,” he said. Adding that theatre was one of the reasons he joined college in Bangalore, he said that he began acting with the group Abhinaya Taranga with A.S. Murthy and Vijayamma. “I am not being melodramatic. I truly dedicate my National Award to all those in the theatre,” said Prakash Raj at a function in Bangalore honouring him for the recent award. Prakash Rai (his name before) studied in St.Joseph's High School in Bangalore. He won the President's Scout award in 1982. At school he was well known for his talents which brought him and the schools numerous honours, he was also an active member and a good leader. He later joined St. Josephs College of commerce, Brigade road, Bangalore, where he participated in many plays, most of which were in Kannada. He was also good at debates. "He was simply brilliant," says his mentor K. Balachander. "Nothing about Prakash Raj comes as a surprise, but his performance in “Kanchivaram” leaves us with not enough adjectives," says K R G, president, South Indian Film Chamber of Commerce. - Asian Tribune - отсюда если кому-то интересно, я переведу
Ломоносов: Rust тут запостил такую сенсацию, Мандакини появилась но меня интерисует вопрос это с ними Пракаш сидит или у мене он уже везде мерещится (если не он уберу) а если он то где ещё фоток взять Producers Kargyur Rinpoche and wife Mandakini discussing a point with their scriptwriter and crew member, phayul photo, Sept 5, 2009
Soniya: Ломоносов : Пракаш сидит или у мене он уже везде мерещится мерещицца
Ломоносов: Soniya : мерещицца Что честно в кепке разве не он
Soniya: Ломоносов : Что честно в кепке разве не он носом мал, лицом бел, и в люди не ходит он в таких прикидах, только для кино
Domino: Soniya : и в люди не ходит он в таких прикидах, только для кино А, шарфик-то от burberry, неужели не носит подобную одежду?))
Soniya: Domino : неужели не носит подобную одежду обычно на фотках "из жизни" он одет весьма скромно - джинсы-рубашка обычно, сандалики ни разу не видела что бы он в шарфиках и кепках разгуливал.
Tony: Ломоносов : но меня интерисует вопрос это с ними Пракаш сидит или у мене он уже везде мерещится... ага. мерещится шо такое?...
Tony: Soniya, пока я в памяти . Кин телугу с Пракашем под названием Manoharam (2000) попадётся - не проходи мимо. Мурзика немного, но он там феерический блюститель законности: то главгероя водил на висилицу смотреть ; то размахивая тарелкой с рисом, в тюремном садочке жизнерадостно обращался к присутствующим заключённым со словами "мои дорогие криминалы!"
Soniya: Tony : мои дорогие криминалы!" все. ушла искать!!!
Soniya: Tony вот этот чтоль? нашла без титров и про мурзика там ни слова он?
Tony: Soniya: он? он самый. это Джагапати уговаривает молодую жену жить в мире и согласии . Сначала тебе покажут всякие натуралистические ужасы: руки-ноги по всей улице разбросаны, но кин не про это, а про семейную жисть. Терроризм там так, для идейности сюжета.
Soniya: Tony пасиб буду брать. жаль только без титров
Tony: Soniya, зато для будущего кина собственного производства этот изюм очень даже сгодится. Кстати, песня в колхозном поле, с грязюкой тоже хороша. только что героиня была вся нарядная и тут вдрух- раз!!! и вся чумазая
Soniya: Пракашу выдали наконец его National Award. Пинжачок одел.
wichy: Soniya : Пинжачок одел. А на ногах все равно наверно шлепки
Soniya: wichy : А на ногах все равно наверно шлепки че правда? я ног не видела
Ломоносов: Жона Пракаша согласилась на развод, за деньги, сколько не говорят здеся http://www.chitramala.com/gossips/prakash-raj-settlement-with-wife-116606.html
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